Parisian Landscapes: Cléo de 5 à 7 in the 14th Arrondissement
Bringing a feminine approach to the largely-masculine dominated cinematic era of the Nouvelle Vague, Agnes Varda has been a pionee…
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Azhar Mahmoud interview
Azhar Mahmoud is a Pakistani filmmaker who won the prize for “Best Non-European Documentary” on ÉCU’s 2010 edition with his…
Cinéma la Clef
by Métissa André Fans of the dear departed “Cinéma Images d’Ailleurs” brace yourselves, the movie theatre on rue Daubent…
Online scriptwriting course on Cineuropa.org
ÉCU’s partner Cineuropa.org, proposes an online scriptwriting course in English, French, Italian and Spanish. The training form…
ÉCU’s partner, The Nomad Project, has some exciting news!
NOMAD Films is excited to announce their partnership with the “Big Screen Project” in New York City. Through this partnership…
Russian Ark
by Yann-Yves A few weeks ago, Russian director Alexander Sokurov came to the Forum des Images to present a short documentary and …
Parisian Landscapes: The geography of Michael Haneke’s “Hidden”
by Jennifer Wallace Parisian landscapes are frequently manipulated by directors to create a self-contained world for the protagon…
Intern interviews: Ana asks Ellen about her ÉCU experience
Ellen Dumbadze is the newest addition to the ÉCU staff. In an interview with Ana (our “creative content” intern) she tells us…
Wondering about the ÉCU hand?
You may have noticed that we sneakily changed our graphics for ÉCU 2011 and you may have asked yourself, “What the…?” Well …
Girl Talk: Art and Copyright
by Marc Rickenbach American mash-up master Girl Talk has been the subject of much controversy due to his copyright-bending art an…
