In 1988, I took a summer off to review some ideas on non action filmmaking. There seemed to be a dearth of good material on the subject, and I thought there might be room for a short book that would assist both students and professionals in making great documentaries. I wanted to write a book that would guide ¤lmmakers from the initial idea through to the inished film, while exploring in detail all the processes and problems, pitfalls and challenges along the way. But I also wanted it to be a book that would appeal to the mind and the imagination, one that would not simply lay out rules but would stimulate the ¤lmmaker to reach further, aim higher, and let his or her imagination soar in the process of creation. And, after two years, Writing, Directing, and Producing Documentary Films was born.

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